4-Channel Concert-Performance, 2014 Agudells con Lluís Maria Vidal : 8:15 pm is part of an open series of compositions called The 10 Minutes Pieces that follow some simple formal rules: The title is the location and the time of their first presentation. Each piece evolves around field recordings recorded at the same location as indicated in the tile. The…
… when they eye HAVING SEEN IT ALL, squints itself closed over the picture, between tree and woman, wide open the large and only window … Heiner Müller, Description of a Picture 6-Channel Audio Installation, 2014 Composition, Voice, Installation: Jan MechText: Bildbeschreibung/Descripción de un cuadro by Heiner MüllerTranslation: Jorge Riechmann Descripción De Un Cuadro (Bildbeschreibung) is a spatial composition and…
4-Channel Concert-Performance, 2014Duration: 10′ Emilia Coranty 16 : 10:30 pm is part of an open series of compositions called The 10 Minutes Pieces that follow some simple formal rules: The title is the location and the time of their first presentation. Each piece evolves around field recordings recorded at the same location as indicated in the tile. The length is…
Audio-Text-Performance by Jan Mech, 2014 Composition and Performance: Jan MechText: Los Que Pasan Corriendo (Die Vorüberlaufenden)by Franz Kafka Los Que Que Pasan Corriendo is a 4-channel music and text performance. The short text by Franz Kafka is an internal monologue describing the movements of thoughts that result from an inner dilemma: While walking in an alley at night the…
5-Channel Audio Installation, 2014 The title oft he Installation is a phrase taken from an essay of the philopher and poet Johann Gottfried Herder (Abhandlung über den Ursprung der Sprache). Within this text Herder reasons on the origin of the human language. He describes it as a direct consequence of our ability to reflect on…
10-Channel Audio composition and installation, 2015 “Mir kam keine Rede in den Sinn, die nur im mindesten etwas von dem Farbenglanz des innern Bildes abzuspiegeln schien.” “No se me ocurría ningún dicho que pudiera reflejar ni siquiera una mínima parte del brillo y del color del imagen que veía en mi.“ “No se m’acudia cap…
1 hour soundtrack for the re-staging of Oscar Masotta’s performance, 2016 In 2016 Dora Garcia re-staged Oscar Masotta’s classical performance Para Inducir El Espíritu De La Imagen at the UTDT, (Buenos Aires, Argentina). The original soundtrack is lost, based on found documentation and descriptions I created an new composition – most probably very different from the original, but still…
Live Music and Sound Track for Docu-Fiction Theatre Performance, directed by Eleonora Herder, 2017 In the autumn of 2015 S. fled from Tehran to Frankfurt in the search of a new life. A few month later L. travels to Tehran for a theater production in search of herself and a friend who disappeared.While S. is worried…
Concert Performance, aprox. 35 min, 2018 COMO HABLAR (CUANDO SOLO HAY PLALABRAS)? is a performance-concert of contemporary electronic music that uses the Morse code as language, as well as musical, compositional and thematic elements. A computer program translates text to Morse signals and sends it to several synthesisers that generate sounds following this rhythm. Further…
Original Music (performed Anna Gratacós – aka Madamme Mustash), Remix of Unexpected Places by Hortense Ellis, Sound Score, 2018 In this film Dora García intertwines politics, psychoanalysis and performance into Segunda Vez (Second Time Around). This staged documentary orbits the figure of Oscar Masotta—a pivotal theorist in the Argentinian avant-garde from the 1950s to the 1970s, whilst not…